Nora Ephron, who gained a devoted following for her perceptive, deeply personal essays and parlayed that renown into a screenwriting career of wistful romantic comedies such as “When Harry Met Sally” and “You’ve Got Mail,” the marital exposé“Heartburn” and the whistleblower drama “Silkwood,” died June 26 at a hospital in New York. She was 71.
The death was confirmed by her friend Richard Cohen, a Washington Post columnist. She died of complications from the blood disorder myelodysplasia, which was diagnosed six years ago.
As a young woman, Ms. Ephron modeled her self-deprecating and deadpan writing style on Dorothy Parker, part of the Algonquin Round Table of sophisticated New York writers and humorists that also included Robert Benchley and S.J. Perelman. Of the philandering husband in her 1983 novel “Heartburn” — modeled on her marriage to former Washington Post journalist Carl Bernstein — Ms. Ephron wrote he was “capable of having sex with a Venetian blind.”
In time, Ms. Ephron became a social confederate of New York playwrights, filmmakers and wits, including Mike Nichols, Woody Allen and Calvin Trillin; Washington journalists including former Post executive editor Benjamin Bradlee and his journalist wife, Sally Quinn; and a Hollywood coterie that included Rob Reiner, Tom Hanks, Steve Martin and Steven Spielberg.